Performing Participation

Re-enacting Lygia Clark

After getting to know better the work of Lygia Clark and Joseph Beuys, I got really inspired by their ideas about collaborative art as a healing process, and the inherent ability in humans to produce art. Both have different approaches,

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Re-enacting Lygia Clark

After getting to know better the work of Lygia Clark and Joseph Beuys, I got really inspired by their ideas about collaborative art as a healing process, and the inherent ability in humans to produce art. Both have different approaches,

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Crafting Utopias

I feel I started to gain a better understanding of relational aesthetics as a kind of art production that considers interhuman exchange an aesthetic object, and Utopia as a proposition in space and time that allows this exchange by operating

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Crafting Utopias

I feel I started to gain a better understanding of relational aesthetics as a kind of art production that considers interhuman exchange an aesthetic object, and Utopia as a proposition in space and time that allows this exchange by operating

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What if…?

In this week’s readings, I was very inspired by the idea that to create participatory experiences based in relational aesthetics, we must understand the social and spatial context first in order to use it or depart from it later. As

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What if…?

In this week’s readings, I was very inspired by the idea that to create participatory experiences based in relational aesthetics, we must understand the social and spatial context first in order to use it or depart from it later. As

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Happenings for 20 People

“Do Not Disturb” A Happening by Sergio Mora-Diaz Performing Participation. 1. Stand in a random spot of the room. 2. Hold your phone and make sure it’s not in silent mode. 3. Call a person who is inside of the

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Happenings for 20 People

“Do Not Disturb” A Happening by Sergio Mora-Diaz Performing Participation. 1. Stand in a random spot of the room. 2. Hold your phone and make sure it’s not in silent mode. 3. Call a person who is inside of the

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On art, community and Institutional Structure

While reading the different articles assigned for this week, I was really moved by the idea of art as a tool for liberation from institutional structure. Artistic production has always defied existing norms and practices, pushing the boundaries of existing

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On art, community and Institutional Structure

While reading the different articles assigned for this week, I was really moved by the idea of art as a tool for liberation from institutional structure. Artistic production has always defied existing norms and practices, pushing the boundaries of existing

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